The Prisoner by Thomas M. Disch
Author:Thomas M. Disch [Thomas M. Disch]
Language: eng
Format: epub
ISBN: eISBN 1-59176-502-1
Publisher: ibooks, Inc.
âThis is accomplishing nothing,â Number 2 burst out through his six speakers, after listening to the doctor chant the first thirty stanzas of the âThe Rime of the Ancient Mariner.â âWe have learned only that at some point in his schooldays he was required to memorize Coleridgeâs stupid ballad, and that he now associates that memory with prisÂons. We must establish whether or not it was he who broke into the archives and set that fire. That should be easy enough to find out. Then, we shall explore his more interÂesting recesses.â
âYou had told me,â the doctor said, âthat there was no doubt heâd done it. The two films taken from his file, one of which was found in his possession in London. His finger-prints on everything. Any court could indict with evidence that strongâlegally!â
âThatâs why a doubt lingers. He isnât a bungler. It might well be that the film we found him watching was mailed to him, as he claims, in London. As for the fingerprints, they would have been available to any of us.â
âOf us? Surely you donât think . . .?â
âEveryone, including myself, would like to see certain of those records destroyed. Why did you first come to work for us, Number 14, eh? Not purely from your dedication to science. 3, likewise, would prefer to forget that unhappy incident in Poland. 4 might well wish for some final disÂcontinuity with his 1952-model face. 6âhis motives are different but even more compelling. 7? 7 is always whining that he wants to be back in London frying literature in a cork-lined cell.â
âWe both know, Number 2, that my brother is incapable of such derring-do. Heâs a dear boy, but quite incapable.â
âPersonally, I have a higher regard for the boyâs capabilities, but thatâs not the issue.â
âI would have thought youâd take more satisfaction in accusing me.â
âNot accusing, Number 14âsuspecting. None of us were continually before the cameras or with witnesses during that afternoon. Any of us could have used the tunnel to get to the Archives and back. Except 8, of course. He was in your care at the time, wasnât he. But 9, 10, 11, 12, 13, any of them, in any combination.â
âIt all sounds very baroque to me.â
âRococo, if you like. It isnât my idea in any caseâitâs Number 1âs.â
For the first time during this exchange, she opened her eyes: they were of different colors, one milky blue, one hazel-brown. âDamn!â She closed them quickly, covered her face with her hands. The high pale brow furrowed with concentration.
âDid you lose rapport?â Number 2 asked anxiously.
âNo Iâm still . . . the priest is still chopping up seagulls.â
âAnd the vocal?â
âThis oneâs a strong subvocalizer, so thatâs no problem. I do wish you wouldnât say things to startle me like that. I could have lost touch. Now, what image do you suggest in order to lead him back to the scene of the crime?â
âWhy not a photograph of the room?â
âToo complicated. The laser would burn his eyeballs out before enough identifying detail could be established.
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